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CONTENTS
PREFACE
ONE - Some Ways to Think about Documentary
- Description
- Definition
- Intellectual Contexts
- Pre-documentary Origins
- Books on Documentary Theory and General Histories of Documentary
TWO - Beginnings: The Americans and Popular Anthropology, 1922-1929
- The Work of Robert Flaherty
- The Flaherty Way
- Offshoots from Flaherty
- Films of the Period
- Books on the Period
THREE - Beginnings: The Soviets and Political Indoctrination, 1922-1929
- Nonfiction
- Fiction
- Films of the Period
- Books on the Period
FOUR - Beginnings: The European Avant-Gardists and Artistic Experimentation, 1922-1929
- Aesthetic Predispositions
- Avant-Garde and Documentary
- Three City Symphonies
- End of the Avant-Garde
- Films of the Period
- Books on the Period
FIVE - Institutionalization: Great Britain, 1929-1939
- Background and Underpinnings
- The System
- The Films
- Grierson and Flaherty
- Grierson’s Contribution
- Films of the Period
- Books on the Period
SIX - Institutionalization: United States, 1930-1941
- Film on the Left
- The March of Time
- Government Documentaries
- Non-government Documentaries
- American and British Differences
- Dénouement
- An Aside to Conclude
- Films of the Period
- Books on the Period
SEVEN - Expansion: Great Britain, 1939-1945
- Early Days
- Indoctrination
- Social Documentary
- Records of Battle
- Films of the Period
- Books on the Period
EIGHT - Expansion: Canada, 1939-1945
- Founding of National Film Board
- Theatrical Series
- Nontheatrical Films
- Summary
- Films of the Period
- Books on the Period
NINE - Expansion: United States, 1941-1945
- Training
- Indoctrination
- Records of Battle
- Social Documentary
- Comparisons: Great Britain, Canada, United States
- Films of the Period
- Books on the Period
TEN - The Unfulfilled Promise: Postwar Documentary, 1945-1952
- Personnel and Leadership
- Sponsorship
- Subjects
- Approaches and Techniques
- Final Observations
- Films of the Period
- Books on the Period
ELEVEN - In Pursuit of Excellence: National Film Board of Canada’s Unit B, 1948-1964
- Films of the Period
- Books on the Period
TWELVE - A New Channel: Documentary for Television, The “Golden Years,” 1951-1971
- Historical Background
- Documentary Series
- Special Characteristics of Television Documentary
- Films of the Period
- Books on the Period
THIRTEEN - British Free Cinema and Social-Realist Features, 1956-1963
- Critical Background
- Free Cinema Films
- Political and Cultural Context
- Social-Realist Features
- Films of the Period
- Books on the Period
FOURTEEN - Direct Cinema and Cinéma Vérité, 1960-1970
- Historical Background
- New Technology and First Films
- Direct Cinema vs. Cinéma Vérité
- Effects on Documentary Subjects and Styles
- Aesthetic and Ethical Considerations
- Films of the Period
- Books on the Period
FIFTEEN - English Language Documentary in the 1970s: Power of the People
- Veteran Filmmakers
- New Directions in Verite
- Social and Political Emphases
- Historical Documentary
- Films of the Period
- Books on the Period
SIXTEEN - English Language Documentary in the 1980s: Video Arrives
- Cable and Satellite Technology
- Personal Essay
- Historical Documentary
- Strictly Political
- Racial and Ethnic Minorities
- Representing Gay and Lesbian Culture
- Music and Performance
- Films of the Period
- Books on the Period
SEVENTEEN - English Language Documentary in the 1990s: Reality Bytes
- Business and Technology
- American Public Television
- Canada Soldiers On
- Developments in the UK
- American Independents
- Theatrical Documentary
- Films of the Period
- Books on the Period
EIGHTEEN - Other Ways to Think About Documentary
- Technological Promises
- Aesthetics and Content
- Finance
- Reality TV
- Newer Theory
- The Future
- Conclusion
APPENDICES
- Awards for Documentaries
- Documentary Film Festivals
- Academy Award Winning Documentaries
- Grierson Trust Award Winning Documentaries
- Documentaries Selected to the Library of Congress National Film Registry
- International Documentary Association Career Achievement Award Winners
INDEX
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